Clive Hicks-Jenkins was born in Newport, south Wales, in 1951. The early part of his career was as a choreographer and stage director. In the 1990s he turned away from theatre to concentrate on painting. He has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time' and Nicholas Usherwood in Galleries has described his work as ‘reflective, expressive painting of the highest order.’
He shows regularly with the Martin Tinney Gallery in Cardiff and the Tegfryn Gallery in Menai Bridge, and has had solo exhibitions at Christ Church Picture Gallery in Oxford, the Museum of Modern Art Machynlleth, Newport Museum & Art Gallery, Anthony Hepworth Fine Art, Brecknock Museum, the National Library of Wales and Aberyswyth Arts Centre. His paintings, prints and private press books are in numerous public collections, including the National Museum of Wales, the Glynn Vivian Art Gallery, MoMA Machynlleth, the Contemporary Art Society for Wales, Llandaff Cathedral, Pallant House Gallery and the Methodist Church Collection of Modern Art, as well as private collections and libraries around the world. He is a Royal Cambrian Academician and an Honorary Fellow of Aberystwyth University School of Art. In 2017 he was awarded an Honorary Doctorate of Arts by Southampton Solent University.
In 2016 Random Spectacular published Hick's-Jenkins dark reworking of Hansel & Gretel into a picture book, and in 2017 Benjamin Pollock's Toyshop in Covent Garden produced a toy theatre kit based on it. 2018 will see the completion of his fourteen print series inspired by Simon Armitage's translation of Sir Gawain and the Green Knight, made in collaboration with and published by Penfold Press. Later in the year the artist will be returning to his old discipline of directing when he helms the national tour of a newly commissioned music chamber work of Hansel & Gretel.
The monograph Clive Hicks-Jenkins was published by Lund Humphries in 2011.