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Poems - Andrea Selch
‘ Hicks-Jenkins has emerged in recent years as one of the most powerful figurative painters in Wales. ’ ROBERT MACDONALDRe:Imaging Wales
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  • The Ghost of an Ox Visits the Broken Yoke
  • Matins at Penparc
  • The Blind Boy and his Beast
The Ghost of an Ox image

The Ghost of an Ox Visits the Broken Yoke

In the absence of memory, the wooden thing,

splintering, is mere curiosity. Nonetheless

the ox, his strong back relaxed, feels drawn

to it, returns daily to sit by it, thinking.

"Git up, gee! Gee!" the ox seems to hear it say,

and he’s almost nudged from contentment.

But, in the distance, like large snowflakes

on the mountain peak, sheep graze mechanically,

growing their coats.

Andrea Selch 2006

Reproduced with the kind permission of the poet.

Carolina Wren Press
Garden Flight
Garden Flight

Matins at Penparc

(St. Francis)
Though he tries to tamp them down,
his memories come through his dreams
and memories of dreams, how many years
he hunted glory, clanging about the countryside
on his father’s horse, or worse, in cities:
what wasn’t stage for his dilation was his green room,
all his own. The moment’s past where
he could (and did) strip off all the raiment
that suddenly was not his own, orphaning himself,
naked as the day he was born. Funny—he
didn’t feel at all forsaken, not the least bit,
just a little cold. Now, he’s that a thousand-fold,
and also old.

But, before his begging bowl is filled,
the morning prayers must still be sung,
and Francis in his ragged tunic stands
above the garden and says Our Father
where the sparrows and the long-tailed tits,
the bullfinches and chaffinches
flit among dahlias in their bishops’ caps,
bellflowers and the late-blooming toad lilies.

The birds, despite their finery, are always poor
and do not dream—even of harmony, mild spring wind.

Andrea Selch 2006

Reproduced with the kind permission of the poet.

Carolina Wren Press
Blind Boy
The Blind Boy and his Beast

The Blind Boy and His Wolf

Blood is the texture of the meeting of wolf and dog.

And after the growls and yelps died away
I felt it flaking from the wolf’s pelt
as he leaned into me in greeting,
Enough boy, enough.

Like a wave he rolled in, swallowed my dog.

Blind since birth, I cannot picture him
Cadmium, Madder and Black, with a slanted Siberian eye,
but ask why should he stay with me? Why?

Blood is the texture of the meeting of wolf and dog,
and to destroy, the wolf’s ploy.

And now, with a wolf for eyes,
tout-le-monde seems prey
and runs from us
though he is tame
and I, Hervé.

Andrea Selch 2008

Reproduced by kind permission of the poet.

Carolina Wren Press