‘ Hicks-Jenkins has emerged in recent years as one of the most powerful figurative painters in Wales. ’ ROBERT MACDONALDRe:Imaging Wales
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Clive portrait photograph

Photo by Peter Telfer

C L I V E   H I C K S - J E N K I N S   R C A

Clive Hicks-Jenkins has shown with the Martin Tinney Gallery since 1997. He was born in Newport in 1951 and currently lives in mid Wales. His work has been critically praised in The Independent, Modern Painters, Galleries and Art Review. Shelagh Hourahane, in Planet, has called him 'an inspiring and masterly painter', and Robert Macdonald described his Mari Lwyd sequence as 'one of the most powerful series of paintings and drawings produced in Wales in recent times'. He is an Honorary Fellow of Aberystwyth School of Art and has been a guest tutor at the Royal College of Art. Hicks-Jenkins was winner of the Gulbenkian Welsh Art Prize in 1999 and a Creative Wales Award from the Arts Council of Wales in 2002. He has had exhibitions at Christ Church Picture Gallery in Oxford, The Museum of Modern Art Wales, Newport Museum & Art Gallery and Brecknock Museum. A member of The Welsh Group and 56 Group Wales, he was elected a Royal Cambrian Academician in 2008. His illustrated edition of Peter Shaffer’s award-winning play Equus was published by The Old Stile Press in 2009. His paintings, prints and artists’ books are in numerous public collections and a major retrospective of his work was mounted by the National Library of Wales in 2011. In March 2012 his images for Stravinsky’s L’Histoire du Soldat will form a visual display to accompany a concert performance of the piece conducted by David Montgomery in Washington DC.

   

 

 

  • 2012   The Greening, Jersey Arts Centre
  • 2011   Fall, Martin Tinney Gallery, Cardiff
  • 2011   60th Birthday Retrospective, Gregynog Gallery of the National Library of Wales, Aberystwyth
  • 2010   Touch, Martin Tinney Gallery, Cardiff
  • 2010   Artist in Residence, St David’s Festival, St David’s Cathedral
  • 2007   Hervé and the Wolf: Saints and their Beasts, MoMA Wales, Machynlleth
  • 2006   Views from Two Studios: New Paintings from Llety Caws and Penparc Cottage, Martin Tinney Gallery
  • 2005   with Glenys Cour, Attic Gallery
  • 2004   Prospects of Wales, Martin Tinney Gallery
  • 2004   The Temptations of Solitude, Christ Church Picture Gallery, Oxford
  • 2004   The Temptations of Solitude, MoMA Wales, Machynlleth
  • 2002   Anthony Hepworth Fine Art, Bath
  • 2002   The Tower on the Hill, Brecknock Museum & Art Gallery
  • 2001   Attic Gallery, Swansea
  • 2001   The Mare's Tale, Newport Museum & Art Gallery
  • 2000   Oriel Ci Melyn, Cardiff
  • 1998   with Dick Chappell and Peter Prendergast, Martin Tinney Gallery, Cardiff
  • 1996   Gordon Hepworth Fine Art, Exeter
  • 1996   with Charles Shearer, The Kilvert Gallery, Clyro
  • 1992    Newport Museum and Art Gallery, Newport
  • 1986   Newport Museum and Art Gallery,Newport
  • 1986   Oriel Theatr Clwyd, Mold
  • 1984   New Theatre, Cardiff
  • 2010   56 Group Wales, Queen’s Hall Gallery, Narberth
  • 2009   Masterstrokes, Museum of Modern Art Wales, Machynlleth
  • 2009   Visionaries, Greenbelt Festival, Cheltenham
  • 2009   Visionaries: Working at the Margins, Wallspace, London
  • 2008   Mapping the Welsh Group at 60, National Library of Wales and tour
  • 2008   56 Group Wales, Oriel Myrddin, Carmarthen
  • 2006   The Painted Pot, Newport Museum & Art Gallery
  • 2006   56 Group Wales, Kooywood Gallery, Cardiff
  • 2005   CASW Distribution Exhibition, National Library of Wales, Aberystwyth
  • 2004-5  Y Fari Lwyd, Museum of Modern Art Wales, Machynlleth
  • 2004   St Donat's Art Centre, Llantwit Major
  • 2003   Homage to Ceri Richards, Dylan Thomas Centre, Swansea
  • 2003   Eisteddfod Genedlaethol Cymru, Meifod
  • 2003   Gross Innovations, Beverly Arts Centre of Chicago, USA, and touring
  • 2002-3   Wales Drawing Biennale, selected by Len Massey
  • 2001-2   Looking Out, Newport Museum & Art Gallery and Turner House, Penarth
  • 2001   Dreaming Awake, Terezín Memorial Gallery, Czech Republic, and touring
  • 2000   The Best Welsh Artists, Martin Tinney Gallery, Cork Street, London
  • 2000-1   Revelations, Llantarnam Grange Arts Centre, Cwmbran, and touring
  • 1999   Wales Drawing Biennale, selected by Jacqueline Morreau
  • 1999   Creating an Art Community: 50 years of the Welsh Group, National Museum & Gallery, Cardiff
  • 1999   Royal Cambrian Academy, Conwy
  • 1998   Royal West of England Academy Autumn Exhibition
  • 1998   Eisteddfod Genedlaethol Cymru, Bro Ogwr
  • 1997-8   Wales Drawing Biennale, selected by David Nash
  • 1998   Royal Academy of Arts Summer Exhibition
  • 1998   University of Glamorgan Purchase Art Prize, Oriel y Bont/The Bridge Gallery, Pontypridd
  • 1997   The Clink Wharf Gallery, London
  • 1997   Eisteddfod Genedlaethol Cymru, Bala
  • 1997   The Albany Gallery, Cardiff
  • 1996-9   Watercolour Society of Wales
  • 1996-   Keith Chapman Modern Art, London
  • 1996    Showcase Wales, The Museum of Modern Art Wales, Machynlleth
  • 1996-    London Contemporary Art Fairs, Islington
  • 1995    Seeing is Believing, Pennine Arts, Burnley
  • 1994-5    Head to Toe, Oriel Myrddin, Carmarthen, and touring
  • 1994    Black Swan Guild, Frome
  • 1992-4    The Old Library, Cardiff
  Honorary Fellow, School of Art, University of Wales, Aberystwyth, 2004-
Creative Wales Award, Arts Council of Wales, 2002-3
One of 12 Welsh artists selected for Contemporary Art Society for Wales print project, 2000
Second Prize, Welsh Artist of the Year, St David’s Hall, Cardiff, 2000
Gulbenkian Welsh Art Prize, 1999
Watercolour Society of Wales Open Exhibition prize, 1996
Artist’s books with The Old Stile Press:
Equus by Peter Shaffer (2009)
The Mare’s Tale by Catriona Urquhart (2001)
Sonnets of Richard Barnfield (2001)
The Affectionate Shepheard by Richard Barnfield (1998)
Palmyra Jones by Catriona Urquhart (1997)





        Artist's Books with the Old Stile Press - see Books page
  Amgueddfa Cymru-National Museum Wales
Llyfrgell Genedlaethol Cymru-National Library of Wales
Pallant House Art Gallery, Chichester
Glynn Vivian Art Gallery, Swansea
Newport Museum & Art Gallery
Museum of Modern Art Wales, Machynlleth
Contemporary Art Society for Wales
Nevill Hall Hospital, Abergavenny
Brecknock Art Trust
University of Glamorgan Art Collection
The Theatre Museum, Covent Garden
Private collections in Britain, France and USA
Limited edition artist’s books purchased for, among others: New York Public Library, Victoria & Albert Museum, British Library, Winchester College, Eton College, University of London Library, Newport Public Library, University of Pennsylvania, University of Iowa, Auckland City Library, Swarthmore College Philadelphia, Folger Shakespeare Library Washington DC.
  The Book of Ystwyth: six poets on the art of Clive Hicks-Jenkins (Grey Mare Press, 2011)
Clive Hicks Jenkins: a monograph (Lund Humphries, May 2011)
Film: Maquettes, directed by Pete Telfer, 2011, Culture Colony-Y Wladfa Newydd
Film: Hanging Clive, directed by Pete Telfer, 2011, Culture Colony-Y Wladfa Newydd
Film: Clive Hicks-Jenkins, directed by Pete Telfer, 2007, Culture Colony-Y Wladfa Newydd
Ceri Thomas, Mapping the Welsh Group at 60 (2008) Culture Colony-Y Wladfa Newydd
Neal Brown, ‘Something Rich and Strange’, The First Post, 3 August 2007
Roderic Dunnett, ‘Clive Hicks-Jenkins in Cardiff’, The British Art Journal, vol V, no 3 (2004), p.86
Roderic Dunnett, ‘Clive Hicks-Jenkins: Prospects of Wales, Martin Tinney Gallery, Cardiff’, The Independent, 21 September 2004, Review p. 17
Rex Harley, Seamus Heaney, Clive Hicks-Jenkins, Michael Tooby, The Temptations of Solitude: Paintings by Clive Hicks-Jenkins (Grey Mare Press, Cardiff, 2004)
Shelagh Hourahane, ‘Clive Hicks-Jenkins: The Temptations of Solitude’, Planet (2004), pp.
Nicholas Cranfield, ‘Re-interpreting tales from the desert’, Church Times, 28 May 2004, p. 36
Hugh Adams, Imaging Wales: Contemporary Art in Context (Seren, Bridgend, 2003)
Robert Macdonald, ‘Clive Hicks-Jenkins and the Demon at the Gate’, Planet, 151, February 2002, pp.50-6
Martin Tinney, ‘My Top 10’, OneWales, 6, Autumn 2002, pp.46-8
Alison C. Lloyd, ‘Profile: Clive Hicks-Jenkins’, Art Review, May 2001, p.48
Rex Harley, ‘Review: The Mare’s Tale’, Planet, 147, June/July 2001, pp.122-124
Caroline Juler, ‘Clive Hicks-Jenkins’, Galleries, June 2001, p.26
Andrew Prior, ‘Clive Hicks-Jenkins: The Mare’s Tale’, Buzz, May 2001, p.10
Tony Curtis, ‘Private View’, New Welsh Review, 53, Summer 2001, pp.100-102
Rex Harley, ‘Exhibitions: Clive Hicks-Jenkins’, Modern Painters, Summer 2001, p.104
Bdele Sneni/Dreaming Awake: Osm umelcu z Walesu/Eight Artists from Wales, Terezín Memorial, Czech Republic (2001), pp.12-13
Clive Hicks-Jenkins: The Mare’s Tale, Newport Museum and Art Gallery, Newport (2001)
Feature in Double Yellow, BBC Wales, June 2001
Dorothy A. Harrop, Frances McDowall, Nicolas McDowall, Peter Wakelin,The Old Stile Press in the twentieth century: a bibliography 1979-1999, The Old Stile Press, Llandogo 2000.
Revelations: the Processes of Making Art, Welsh Group, Cardiff (2000), pp.28-29
Jeremy Greenwood, ‘Review: The Affectionate Shepheard, with images by Clive Hicks-Jenkins’, Parenthesis, 2, September 1998, pp.22-23
Emmanuel Cooper, ‘Clive Hicks-Jenkins’, Gay Times April 1996
www.hicks-jenkins.com